Showing posts with label Teen Fiction. Show all posts
Showing posts with label Teen Fiction. Show all posts

Friday, January 17, 2020

133. Shadow Kiss by Richelle Mead



Mead, Richelle. Shadow Kiss. New York, NY: Penguin Group, 2008. Print.

443 pages

Reviewed by Jessica Love

This is the third book in the Vampire Academy series. In this installment, Rose is dealing with an inner battle through most of the book. She is seeing ghosts and working through unexplained rage and blood lust. Without giving away spoilers, I can't say much more than that. 

In my review of the previous book, Frostbite, I mentioned that if there was anything int he series that would make me stop reading, it was Rose herself. I didn't like the way the protagonist was emotionally abusive and irrational. This book helped to further elucidate that issue. I like the way the majority of the book was Rose turning inward, trying to figure out why she behaved the way she did and resolve her inner conflicts. She frames mental health, personal growth, and psychotherapy in a positive and somewhat realistic way which I think is so good for teens to read! 

Mead wraps up the story with some actual physical battle which keeps the book exciting. If I had to pick out strengths and weaknesses of the series so far, I would say Mead's weakness is world building, and strength is character development. The world building is still pretty flimsy. I feel like there are so many blanks to be filled in before this will feel like a fully formed "world." The characters though, are excellent. She is skilled at giving each character a voice that is their own. 


My final verdict is that this book is (and series) is pure entertainment and was decent enough to send me on to the next in the series. 

Would I read it again? 
Maybe. 

Recommended for
Fans of the vampire genre.

Not Recommended for
Readers expecting complex, thorough world-building. Readers younger than 13. 

Word Bank
None

3 stars out of 5

Richelle Mead's website: http://richellemead.com/


Connect with me!
Instagram: @ladylovestead
Twitter: @ladylovestead

Friday, January 3, 2020

131. Frostbite by Richelle Mead


Mead, Richelle. Frostbite. New York, NY: Penguin Group, 2008. Print.

327 pages

Reviewed by Jessica d'Artagnan Love

I don't know what it is about Thanksgiving but it seems that I am always drawn to reading vampire lore around this time of year. It is actually Thanksgiving day as I sit and write this review. It seems every year there is a different series I read about vampires in late fall. 


Mysterious timing aside, Frostbite is the second book in Richelle Mead's Vampire Academy series. The first chapter or so of the book was a recap of the first book, Vampire Academy, which I appreciated. It has been nearly a year since I read the first book and was a bit fuzzy on characters and story line. The quick recap easily jogged my memory and made it easy to dive back into the story.


In this installment, Rose is still battling feelings for her teacher, Dimitri, as she trains to be a guardian for royal vampires. There is a string of murders targeting royal vampires that shakes up her community and makes her training even more important. 


As far as vampire fiction goes, this isn't the best I've ever read, but it also isn't the worst. The world building is a bit flimsy, but there is at least enough structure that it wasn't distracting and the story could still be entertaining. The prose is pretty simplistic but Mead does do a nice job of painting a character. The first seen with Adrian Ivashkov was so vivid he felt like someone who could actually exist. Honestly, I've met my fair share of human men like him and she did a good job distilling the essence of this kind of guy.


If there is anything that would make me stop reading this series, it's the protagonist, Rose. Rose is immature and psychologically abusive of the people who care about her. This isn't someone I want to be represented as a heroine. Interestingly, by the end of the book, there was a hint of explanation as to why she behaves this way, so I will continue forth with the next book in the series.  

Would I read it again? 
I don't know. I think it will depend on how the rest of the series turns out. If future books suddenly turn amazing, then I probably would re-read the first two books again. If the rest of them are duds, then no, I wouldn't.

Recommended for
Vampire fiction fans who don't want to think too hard about what they're reading.

Not Recommended for
Vampire fiction fans who want complex world building. 

Word Bank
  • None. The language is pretty simplistic.



3 stars out of 5

Richelle Mead's website: http://www.richellemead.com/

Connect with me!
Instagram: @ladylovestead
Twitter: @ladylovestead

Tuesday, August 13, 2019

Sunday, January 6, 2019

128. Paper Towns by John Green


Green, John. Paper Towns. New York, NY: Penguin Random House, 2008. Print.

305 pages

Reviewed by Jess d'Artagnan Love

My YouTube Review

"Paper towns" are town names that map makers use to catch plagiarizing competing map makers. The towns don't actually exist in reality. This concept of perception versus reality is a theme of John Green's novel. The enigmatic Margo is missing and her childhood friend, Quentin, is searching for her. She's left a series of clues for him to follow and each clue leads Quentin to question how well he really knows Margo. 

A fan of one of Green's most famous works, The Fault in Our Stars, I read this with high expectations. By the end of the novel, I found myself disappointed. Paper Towns lacked the finesse and sophistication of his other work. Some of the dialogue felt forced. It was typical teenage dialogue with lots of "dudes," and "likes," scattered in for age appropriateness.

Ben and Radar, Quentin's two friends, could easily have been just one character. There weren't many differentiating qualities between the two and I found myself not able to keep track of who did what. In my head, they just became one merged character. The same happened with the two supporting female roles. They would have worked just as well being one character rather than two. 

I did like the discussion of perception both how we perceive ourselves and how others perceive us. This discussion is what got me through the end of the book. I wasn't attached to the characters or the plot, but I was curious about how perception was discussed. 

Overall, not a bad read, but not a great one either.


Would I read it again? 
No, but I will keep reading Green's other work. Other fans I've discussed this book with agree that Paper Towns isn't his strongest work..

Recommended for
John Green fans who already know he's a good writer.

Not Recommended for
Readers who haven't read Green yet. Start with The Fault in Our Stars.

Word Bank
  • None

3 stars out of 5

John Green's website: http://www.johngreenbooks.com/
John Green on Twitter: https://twitter.com/johngreen


Connect with me!
Instagram: @jdartagnanlove
Twitter: @jdartagnanlove

Monday, July 2, 2018

121. "Daughter of Smoke and Bone" by Laini Taylor


Taylor, Laini. Daughter of Smoke and Bone. New York: Little, Brown and Company, 2011. Print.

418 pages.

Reviewed by Jess d'Artagnan Love

Karou lives in Prague and where she leads a double life: in one life she is a young art student, and in the other, she works with her chimera family collecting teeth from around the world. The teeth are used by the mysterious Brimstone, essentially her father figure, and Karou is tasked with trying to figure out what really happens in Brimstone's shop. A monkey wrench is thrown in her plans when she meets Akiva, a Seraphim, and her portals to Brimstone's world are destroyed, leaving her stranded in the human realm. 

As I read the book, I found it a bit challenging to keep up with what the chimera look like. Chimera are half human and half animal and each chimera character is a different combination of the two. What I found most helpful, was leaving a post-it flag bookmark on pages of chimera descriptions that I could flip back to for reference. 

That being said, Laini Taylor is a true wordsmith and masterfully describes characters and settings. The way she painted Prague and the Poison Kitchen made me want to hop on a plane and head there to purchase some property--it is the exact kind of place I would love to be to sit and write. 

While Prague was expertly crafted, I definitely related to Karou's sense of spiritual "homelessness." She lives with a sense of not really having a "true" home where things just feel right and whole. I experienced this quite a bit throughout my life and have come to accept that "home" for me is in multiple places across the globe in the same way it is multiple realms for Karou. 

My biggest problem with Daughter of Smoke and Bone was the exceptionally long flashback toward the end of the book. The plot is a typical nonlinear plot that moves from past to present fairly seamlessly until the last third of the novel. In the last third of the novel there is a 75 page flashback. This was exhausting because through that entire 75 pages, I was still trying to maintain the tension created by the present-tense story line. While I understand why Taylor may have chosen to organize the flashback this way (which I will refrain from discussing due to spoilers), I also know there are better ways to handle this. This was my biggest issue with the novel and what kept me from giving 4 stars instead of 3. 

Aside from that, I really loved Taylor's prose. She used some wonderfully cozy animal metaphors and I particularly liked the metaphors she used with butterflies and cats. It created a little bit of hygge in the story that was warming and sweet. 

Would I read this book again? Yes. I am also planning on reading the next book in the series. 

Recommended for: Fans of YA urban fantasy. 

Not recommend for: Readers who don't enjoy fantasy.

3 darts/stars out of 5

Word Bank (new-to-me vocabulary)


Laini Taylor's website: http://www.lainitaylor.com/

My Youtube review: https://www.youtube.com/watch?v=G2Dns_Gxfd8








Saturday, March 24, 2018

114. "Speak" by Laurie Halse Anderson


Halse Anderson, Laurie. Speak. New York: Puffin, 2001.

208 pages.

Reviewed by J. d'Artagnan Love

Popular among teens right now is the Netflix original series 13 Reasons Why based on the book by Jay Asher.  Having watched the series myself, but not read the book, I"m going to venture an educated guess that Speak is far better. It addresses the same kinds of themes but more tactfully and with less misogyny. 

In Speak, Melinda is dealing with a trauma, the origins of which aren't revealed until later in the book. She deals with this trauma by withdrawing into a dark place. She stops speaking, thus the title of the book. It is through the help of a teacher and some of her own inner resilience that she is able to work through her limitations. 

This lyrical novel reminds me slightly of Francesca Lia Block's style in the Weetzie Bat series. It has the same lyrical quality but where it differs is in the concrete story line and absence of magical realism. Laurie Halse Anderson has an unmistakable voice that is consistent throughout the story. 

I appreciated this story and felt it was a germane representation of trauma and the resulting depression and anxiety. I'm looking forward to reading it again. 

4 darts out of 5

Recommended for: readers who liked 13 Reasons Why. This is better.

No recommended for: readers who are sensitive to depictions of mental illness, readers who don't like lyrical writing, and readers sensitive to sexual themes. 

Friday, January 27, 2017

104. "The Selection" by Kiera Cass





Cass, Kiera. The Selection. New York: Harper Teen, 2012.

327 pages. 

Reviewed by J. d'Artagnan Love

SYNOPSIS: America Singer lives in a dystopian future where the nation is divided into castes numbered one through eight with ones being at the very royal top and eights being homeless nomads. When the prince of the nation is old enough, there is a "Selection" where names of eligible women and girls are drawn from each district and the "selected" travel to the capital to compete for the prince's hand in marriage.

WHAT I LOVED: The cover art.

WHAT I LIKED: What I liked about this book is that it's sort of like junk food--it did me absolutely no good but was just kind of tasty anyway.

WHAT I COULD DO WITHOUT: Hoo boy. I know that there are no truly "original" stories anymore, but this book was so obviously trying to cash in on the popularity of The Hunger Games and The Bachelor, it made me sick. Cass is capitalizing on hybridizing the success of work that isn't really hers and by feeding the lowest common denominator to her readers. I found the book entertaining enough but something just wasn't sitting right with me so I did a bit of research. Cass's agent was actually "rigging" her ratings of the book on Goodreads by going through every 4 and 5 star review and "liking" them to boost the rating. Supposedly Cass and her agent also weren't aware that their posts were public and said some unsavory things about their readers going so far as to call a reader who didn't like the book a "bitch." As a writer myself, I have no respect for that. None, whatsoever. You will never write a book everyone likes. That's how the world of reading and writing works. So...while I may be interested in reading the rest of the stories in the series, the writer and agent's serious lack of respect for readers has me wanting to boycott the rest. There is more I could say about some of the story's plot holes and character inconsistencies, but I'll stop here--heaven forbid I get called a bitch too.

RECOMMEND FOR: Readers who like teen romance and don't care if the author has any respect for her readers.

NOT RECOMMENDED FOR: Anyone who values the sacred relationship between writer and reader.

2 darts out of 3