136. Moon Called by Patricia Briggs

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Briggs, Patricia. MoonCalled. New York, NY: Ace, 2006. Print.

288 pages

Reviewed by Jess d'Artagnan Love

Mercy Thompson is a shape shifter who can shift into coyote form. She lives next door to a pack of werewolves and makes a living as an auto mechanic for vampires. When her local pack is invaded by  rogue bunch of vampires and the pack leader, Adam’s, daughter is kidnapped, Mercy starts the process of solving the mystery and tracking down the kidnapped girl.

This book is whimsical, sexy, and well paced. I know a lot of my Christian readers have an issue with any kind of book that represents magic or the fantastical but interestingly, Mercy is portrayed as a Christian character. The werewolves, fae and other magical creates are seen as evolutionary more than anything. I found that an interesting world-building choice that may appeal to a Christian audience more readily than other fantasy novels.

There weren’t a lot of big questions asked or much exploration of major themes. Briggs is more interested in entertaining the reader than teaching them. If you want to read a book that doesn’t make you think to hard about life but still provides enough context to be good escapism, this is a great book for you.

Would I read it again? 

Yes. This was actually the second time I read the book as I’d like to re-read the series this year.

Recommended for

Readers who want some decent escapism.

Not Recommended for

Readers who desire a book with heavier themes.

Word Bank

Harridan p.6

Reticent p. 7

Sufference p. 10

Desultory p. 12

Limpid p. 49

Canted p. 55

Gracile p. 62

Quelling p. 96

Cozen p. 127

Anathema p. 129

Obstreperous p. 186

Vassalage p. 189

3 stars out of 5

Patricia Briggs' website: http://www.patriciabriggs.com/

Jennifer Lynn Barnes on Goodreads: https://www.goodreads.com/author/show/40563.Patricia_Briggs

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133. Shadow Kiss by Richelle Mead

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Mead, Richelle. Shadow Kiss. New York, NY: Penguin Group, 2008. Print.

443 pages

Reviewed by Jessica Love

This is the third book in the Vampire Academy series. In this installment, Rose is dealing with an inner battle through most of the book. She is seeing ghosts and working through unexplained rage and blood lust. Without giving away spoilers, I can't say much more than that. 

In my review of the previous book, Frostbite, I mentioned that if there was anything int he series that would make me stop reading, it was Rose herself. I didn't like the way the protagonist was emotionally abusive and irrational. This book helped to further elucidate that issue. I like the way the majority of the book was Rose turning inward, trying to figure out why she behaved the way she did and resolve her inner conflicts. She frames mental health, personal growth, and psychotherapy in a positive and somewhat realistic way which I think is so good for teens to read! 

Mead wraps up the story with some actual physical battle which keeps the book exciting. If I had to pick out strengths and weaknesses of the series so far, I would say Mead's weakness is world building, and strength is character development. The world building is still pretty flimsy. I feel like there are so many blanks to be filled in before this will feel like a fully formed "world." The characters though, are excellent. She is skilled at giving each character a voice that is their own. 

My final verdict is that this book is (and series) is pure entertainment and was decent enough to send me on to the next in the series. 

Would I read it again? 
Maybe. 

Recommended for
Fans of the vampire genre.

Not Recommended for
Readers expecting complex, thorough world-building. Readers younger than 13. 

Word Bank

None

3 stars out of 5

Richelle Mead's website: http://richellemead.com/

Richelle Mead on Goodreads: https://www.goodreads.com/author/show/137902.Richelle_Mead

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Read to Grow Book Club: https://www.goodreads.com/group/show/1058875-read-to-grow-lovestead-book-club

Other Vampire Academy Books Reviewed
Frostbite

131. Frostbite by Richelle Mead

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Mead, Richelle. Frostbite. New York, NY: Penguin Group, 2008. Print.

327 pages

Reviewed by Jessica d'Artagnan Love

I don't know what it is about Thanksgiving but it seems that I am always drawn to reading vampire lore around this time of year. It is actually Thanksgiving day as I sit and write this review. It seems every year there is a different series I read about vampires in late fall. 

Mysterious timing aside, Frostbite is the second book in Richelle Mead's Vampire Academy series. The first chapter or so of the book was a recap of the first book, Vampire Academy, which I appreciated. It has been nearly a year since I read the first book and was a bit fuzzy on characters and story line. The quick recap easily jogged my memory and made it easy to dive back into the story.

In this installment, Rose is still battling feelings for her teacher, Dimitri, as she trains to be a guardian for royal vampires. There is a string of murders targeting royal vampires that shakes up her community and makes her training even more important. 

As far as vampire fiction goes, this isn't the best I've ever read, but it also isn't the worst. The world building is a bit flimsy, but there is at least enough structure that it wasn't distracting and the story could still be entertaining. The prose is pretty simplistic but Mead does do a nice job of painting a character. The first seen with Adrian Ivashkov was so vivid he felt like someone who could actually exist. Honestly, I've met my fair share of human men like him and she did a good job distilling the essence of this kind of guy.

If there is anything that would make me stop reading this series, it's the protagonist, Rose. Rose is immature and psychologically abusive of the people who care about her. This isn't someone I want to be represented as a heroine. Interestingly, by the end of the book, there was a hint of explanation as to why she behaves this way, so I will continue forth with the next book in the series.  

Would I read it again? 

I don't know. I think it will depend on how the rest of the series turns out. If future books suddenly turn amazing, then I probably would re-read the first two books again. If the rest of them are duds, then no, I wouldn't.

Recommended for

Vampire fiction fans who don't want to think too hard about what they're reading.

Not Recommended for

Vampire fiction fans who want complex world building. 

Word Bank

• None. The language is pretty simplistic.

3 stars out of 5

Richelle Mead's website: http://www.richellemead.com/

Richelle Mead on Goodreads: https://www.goodreads.com/author/show/137902.Richelle_Mead

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87. "The Vampire Diaries: Awakening" by L. J. Smith

Smith, L. J. The Vampire Diaries: Awakening. New York: HarperCollins, 1999.

276 pages.

Reviewed by J. d’Artagnan Love

After reading Vampire Diaries: Awakening, I have a really hard time believing that Stephenie Meyer never read vampire fiction. Twilight parallels this book so very closely, it almost seem like she ripped off the story from L. J. Smith. That being said, in Vampire Diaries: Awakening, Stefan Salvatore is a new guy in town and, naturally, he’s a vampire. Elena, the female protagonist of the story is haunted by the recent death of her parents and infatuated with Stefan but Stefan is too troubled about being a monster to truly let Elena into his heart. By the cliff-hanger ending, a love triangle has formed. Sound familiar?

I found this book entertaining but a bit dated. It’s dated in the ways it illustrated teenage social structures. In the story there is one “queen” of the high school (Elena) and her “crowd” of cool people. Their values and interests are shallow and materialistic. The social structures are reminiscent of the films Clueless and Can’t Hardly Wait; they’re very 90s era and irrelevant to teenagers of today’s world. My biggest issue was how manipulative Elena was in trying to “have” Stefan. I’m pretty sure Mean Girls blew this kind of behavior out of the water (again, going back to how 90s clichéd this book is). If she could drop the manipulation and give some concrete reasons for why she loves Stefan other than him being “so hot,” I might actually like her.

If we stripped away the 90s social structures, the story itself is pretty interesting. One of my favorite parts of reading vampire fiction is picking about the vampire mythology used in each series or book. These vampires don’t sparkle and in order to change from human to vampire, the Dracula method is used (vampire sucks human blood and then human drinks vampire blood). There are some other fun magical features to these vampires but I’ll leave that up to you to discover should you choose to read this book.

2 darts out of 5

This book is FOR people who: want a quick, meaningless read with some fun vampire characters.

This book is NOT FOR people who: want character depth or maturity.   

72. "Soulless" by Gail Carriger

Carriger, Gale. Soulless. New York: Orbit, 2009. Kindle ebook.

388 pages

Reviewed by J. d’Artagnan Love

Soulless stars Alexia Tarabotti, an enigmatic, assertive Italian who has no soul. Alexia is classified as a “preternatural” in London’s BUR records. Her soulless state allows her to retract the powers of the supernatural beings around her. If she touches a vampire, his/her fangs retract. If she touches a werewolf, s/he goes back to human form. These abilities have caught the attention of a mysterious dark figure stalking Alexia like prey. Thankfully, Alexia has also caught the attention of the Earl of Woolsey, a dashing werewolf pack leader. Between him and Lord Akledama, her rogue vampire dandy, Alexia finds herself in a web of science, mystery, and intrigue as well as some spicy, um...positions.

Set in the late 1900s, Soulless is a fabulous combination of urban fantasy and steampunk. The characters are vivid and the aesthetic qualities of the steampunk genre creates a world that is beautiful and ornate. The plot had some unexpected twists and turns that delighted me and the prose was elegant and witty. Soulless vampires and werewolves are unique in their creation and integration into the London community. Carriger’s creation of the BUR organization is an effective set-up for an intriguing series of steampunk/urban fantasy/crime novels. I’m looking forward to reading the rest!

3 darts out of 5

Bookshelf Project Status: Returned to the library

61. "Shadow of Night" by Deborah Harkness

Harkness, Deborah. Shadow of Night. New York: Vicking Press, 2012

581 pages.

Reviewed by J. d'Artagnan Love

Shadow of Night is the sequel to the much enjoyed A Discovery of Witches (click link to see my review). Shadow of Night picks up where A Discovery of Witches left of with Matthew and Diana traveling back in time in search of the elusive Ashmole 782. They traverse through sixteenth-century England where Diana works to find a mentor to help her develop her magical powers and she and Matthew meet many interesting people, including several important historical figures you are sure to recognize. The story has several twists and surprises and so many characters Harkness must provide a character list at the end of the book in true fantasy-fiction form.

This series is set to be a trilogy and I've heard rumors that there is already a movie series in the works. This is just a rumor, though--I'm not sure if it is actually true. One thing I do believe is that this series will make better films than they do books.

I do not mean this in a bad way. Harkness has a knack for description. The way she describes a scene is so clear and detailed, it is hard to not have a clear picture of what her vision is. It also doesn't leave much room for imagination. This is a personal preference and not necessarily a reflection of Harkness' writing. I like books that a leave a little wiggle room for the reader. I am more involved in a book that allows some breathing room for my imagination to play. I develop a closer relationship with a book when some details are left to my own devising. Harkness' writing doesn't allow for this. Every minute detail is nailed out providing great material for a potential screenplay.

Personal preference aside, the books was mostly enjoyable but not something of great literary prowess. I don't think it is meant to be anyway. The goal of this series truly seems to be aimed at entertainment rather than enlightenment. In comparison with the first book in the series, I like the story in Shadow of Night better but I like the writing in A Discovery of Witches more than in Shadow of Night. If you read this one, let me know what you think!

3 darts out of 5
Bookshelf Project Status: None (belongs to a friend)

d'Artagnan

58. "A Discovery of Witches" by Deborah Harkness

Harkness, Deborah. A Discovery of Witches. New York: Viking, 2011.

592 pages

Reviewed by J. d’Artagnan Love

A Discovery of Witches is the first book in a trilogy about Diana Bishop, a witch who has spent most of her life denying her supernatural powers. Raised by her two aunts, Diana becomes a successful historian and professor specializing in the study of the history of alchemy. It is this very research that starts her on an adventure she is unwilling to experience.

Diana unlocks a spellbound book that tells the secrets of the origin of the three main species covered in the tale: witches, daemons, and vampires. This discovery does not go unnoticed by the other witches, daemons and vampires of the world and Diana is thrown into the start of a battle to own the book. Along the way she meets Matthew Clairmont, a chillingly handsome vampire. Despite the taboo of associating with vampires, Diana forms a bond with Matthew and he helps her unleash her inner witch.

This is a fun, fun, fun read. Harkness writes in a way similar to Dan Brown in The DaVinci Code and Elizabeth Kostova in The Historian. The plot is thick with several interwoven layers, time periods and rich characterizations. What I like most about Harkness’ writing is her use of description. She has a perfect balance of detail and you can feel, taste and hear pretty much everything just as she describes it. I can’t wait for the next book!

3.5 darts out of 5

Bookshelf project status: None (borrowed from a friend) 

53. The Twilight Saga by Stephenie Meyer

Meyer, Stephenie. Twilight. New York: Little Brown and Company, 2005.
- - -. New Moon. New York: Little Brown and Company, 2006.
- - -. Eclipse. New York: Little Brown and Company, 2009.
- - -. Breaking Dawn. New York: Little Brown and Company, 2010.

2,560 pages total.

I read Twilight several years ago when it first was published and my little sister and her friends couldn't stop gushing to me about how good it was. At the time that I read it, I didn't enjoy it enough to read the rest of the series. I distinctly remember telling my mother that "If I were thirteen years old, I would have loved it."

Fast forward approximately 5 years later and Twilight is now a huge pop culture fad. Swarms of people await the release of the films and it took me almost a month to get the last of the books from library because their 5 (!) copies were constantly checked out to someone else.

I had to know what all the fuss was about. I had to try and understand why a set of books that where less than wonderfully written could grab and hold such a large audience. I have some sneaking suspicions about what pulled in so many readers.

In Twilight, readers meet the main characters--Bella Swan, Edward Cullen and his family of vampires. The Cullens satisfy nearly every psychological desire in Western culture--money, beauty, intelligence, and immortality. This is why we are instantly pulled in. The majority of us are taught to want those things, so though we may value other things more, these novels feed into our guilty pleasures like an intravenous drip.

To top it off, Bella is a flat character. There is little about her that sets her apart from other characters or makes her special. She is special to Edward because he can't read her thoughts like he can everyone. She's a blank slate. In doing this, Stephenie Meyer has made it so that readers become Bella. We fill in her blank slate with our own thoughts, personalities and desires. We become her and can have all those things we secretly desire in the Cullens' world. This sets the stage for the rest of the series, making it easy to sustain a readership.

Meyer's ability to tap into our guilty pleasures and make the reader the protagonist is what I believe simultaneously draws readers in and makes the writing less than wonderful. It's a brilliant move, but in doing it, the series lacks the literary hutzpah needed for many people to take it seriously.

One particular aspect of the prose that drove me nutty in reading the series was the use of fragments to imply a dramatic pause. There were so many of these dramatic pauses (especially in Breaking Dawn) that I was frequently tempted to toss the book across the room in frustration. It is jarring to read fragment after fragment with no relief of fully structured sentences in sight.

There were some things that I liked about the series. I thought her portrayal of vampires was creative and she did a good job of constructing the Twilight fantasy world regarding details about how the Quiletes came to exist and the science behind vampire procreation. 

Long story short, Meyer has a secret formula in this series to score her a large number of readers, but her writing is just terrible. I liked the story but I hated the writing.

3 darts out of 5
Bookshelf Project Status: None (books were from the library)

52. "Dracula" by Bram Stoker

Stoker, Bram. Dracula. New York: W.W. Norton & Company, 1996.

512 pages

Reviewed by J. d’Artagnan Love

Seeing as I love vampire stories, I figured I needed to get my hands on a copy of one of the original vampire stories—Bram Stoker's, Dracula. I didn’t know if (actually, I didn’t think) I would like the book but I was surprised. I realized I have some preconceived notions about what books considered “classics” are like. These notions are largely based on stereotypes about classic literature being boring, written in indecipherable prose and so on. Dracula is not a novel that fits such stereotypes.

Set in England, Dracula is written in epistolary form. Readers learn about the dreadful Count Dracula through diary entries, telegrams, letters, and newspaper articles. In doing this Stoker allows readers to understand this evil-doer through many lenses and points of view. Readers receive a well-rounded understanding of Count Dracula’s skills and motivations.

I didn’t expect to be frightened by this book, probably because of the previously mentioned preconceived notions, but I was. I was genuinely, hide-under-the-covers, creeped out by certain parts of the plot and descriptions of the characters. Some parts were downright chilling without having to be graphically violent or overtly sexual (as some vampire fiction tends to resort).

Another element that caught me off guard was the element of humor. Stoker does a beautiful job of weaving silliness into the grotesque and frightening storyline. I found myself laughing out loud at moments of awkwardness between Mina and all the men who seem to swoon after her, and at the overzealous Quincy who is quick to shoot first and question later.

I will mostly likely read this book again—I enjoyed it that much! It takes a fabulous book for me to want to read it a second time. I have a total of four books (of the hundreds I’ve read) that I like to re-read and will be adding this one to that list!

5 darts out of 5
Bookshelf Project Status: KEEP!

2. Marked by P.C. and Kristin Cast

Cast, P.C. and Kristin. Marked. New York: St. Martin’s Griffin, 2007.
Reviewed by J. d’Artagnan Love

Marked documents the story of Zoey, an average teenage girl who just wants to fit in. Zoey is “marked” which means she has begun the process of changing into a vampire. Luckily, there is a vampire finishing school located right in her hometown. Convenient coincidences aside, readers must trudge along with the protagonist while she whines about wanting to fit in for the next 300 pages. Once I got past the inherent racism of the text (every non-Western or indigenous culture to have ever existed are vampire cultures) the book was a fast read.

This book is like Twilight meets Harry Potter meets Mean Girls but the plot lacks the kind of substance that I was hoping for. The incessant pop-culture references and teeny-bopper narration become irritating after a while. As a teen, I would have been annoyed at the lack of credit Cast gives to her teenage readership. Marked, which is the first book in the House of Night series, sets up the possibility for an interesting sequel and provides a fascinating new take on what it means to be a vampire. It also sends pretty decent messages to its young readers: be open and accepting of people be they gay, or straight, black or white, etc.; respect yourself; love your body, and stand up to wrongdoers.

Rating: 2 darts out of 5